Upcoming Events
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Side Hustle Dance ProjectShadow Works
Shadow Works is the premier production of SIDE HUSTLE DANCE PROJECT, a fresh avant-garde dance company located in SLC.
Side Hustle Dance ProjectShadow Works
Shadow Works is the premier production of SIDE HUSTLE DANCE PROJECT, a fresh avant-garde dance company located in SLC.
Utah OperaHumperdinck's Hansel and Gretel
This enchanting opera follows the adventures of the courageous siblings Hansel and Gretel as they navigate the treacherous forest and confront the powerful forces that threaten to engulf them. As Hansel and Gretel strive to outwit The Witch and find their way home, their bond of sibling love serves as a powerful force against the darkness that surrounds them.
Utah OperaHumperdinck's Hansel and Gretel
This enchanting opera follows the adventures of the courageous siblings Hansel and Gretel as they navigate the treacherous forest and confront the powerful forces that threaten to engulf them. As Hansel and Gretel strive to outwit The Witch and find their way home, their bond of sibling love serves as a powerful force against the darkness that surrounds them.
SLC GuitarSLC Guitar Student Showcase
SLC Guitar students ages 9 to 65 showcase their guitar skills performing songs ranging from Green Day to Taylor Swift to Metallica. Come rock out with us!
SLC GuitarSLC Guitar Student Showcase
SLC Guitar students ages 9 to 65 showcase their guitar skills performing songs ranging from Green Day to Taylor Swift to Metallica. Come rock out with us!
Broadway at the EcclesThe Book of Mormon
The New York Times calls it “the best musical of this century.” The Washington Post says, “It is the kind of evening that restores your faith in musicals.” And Entertainment Weekly says, “Grade A: the funniest musical of all time.” Jimmy Fallon of The Tonight Show calls it “Genius. Brilliant. Phenomenal.” It’s THE BOOK OF MORMON, the nine-time Tony Award® -winning Best Musical. Contains explicit language.
Broadway at the EcclesThe Book of Mormon
The New York Times calls it “the best musical of this century.” The Washington Post says, “It is the kind of evening that restores your faith in musicals.” And Entertainment Weekly says, “Grade A: the funniest musical of all time.” Jimmy Fallon of The Tonight Show calls it “Genius. Brilliant. Phenomenal.” It’s THE BOOK OF MORMON, the nine-time Tony Award® -winning Best Musical. Contains explicit language.
Live at the EcclesAn Evening with Fran Lebowitz
In a cultural landscape filled with endless pundits and talking heads, author and journalist, Fran Lebowitz stands out as one of our most insightful social commentators.
Live at the EcclesAn Evening with Fran Lebowitz
In a cultural landscape filled with endless pundits and talking heads, author and journalist, Fran Lebowitz stands out as one of our most insightful social commentators.
BYU WinterfestLiving Legends
BYU presents its world-famous touring ensembles at the Mid-Valley Performing Arts Center in Taylorsville.
BYU WinterfestLiving Legends
BYU presents its world-famous touring ensembles at the Mid-Valley Performing Arts Center in Taylorsville.
Ririe-Woodbury Dance CompanyRE-MIX
The winter performance of RE-MIX includes three compelling and thought-provoking dances. Scenes for and Ending (2023), by Raja Feather Kelly, will make its return to the Salt Lake City stage. Kelly says of this dance, “‘Scenes for and Ending’ is a love letter to the past, to a friend, to a lover, to the future, it is touch, it is poetry, it is and is not a dance. Whatever you see is real, it’s actually happening.” Accompanying this work is an original score by recording artist Emily Wells. The Company will premiere a new work titled The Rate We Change (2022), by Salt Lake City choreographer Kellie St. Pierre. This piece features 6 dancers and a human-powered spinning platform. The work is inspired by the effect of ongoingness within a changing world and through the sharing of roles and collective care, adaptation through connection is made possible. The Rate We Change features an original score by Salt Lake City composer Daniel Clifton. Finally, the return of guest choreographer and alumnus Company dancer jo Blake’s coincidences, when we meet up (2022) rounds out this compelling program. This reflective trio focuses on personal connection of radical self-love and clarity of voice discovered by experiencing trauma. Plunging, swirling, and diving amongst the complications of today’s social issues, this dance invites the ever-changing, coordinated, and repeated murmurs of individual growth and change. This dance is accompanied by an original score by Salt Lake City composer, Trevor Price.
Ririe-Woodbury Dance CompanyRE-MIX
The winter performance of RE-MIX includes three compelling and thought-provoking dances. Scenes for and Ending (2023), by Raja Feather Kelly, will make its return to the Salt Lake City stage. Kelly says of this dance, “‘Scenes for and Ending’ is a love letter to the past, to a friend, to a lover, to the future, it is touch, it is poetry, it is and is not a dance. Whatever you see is real, it’s actually happening.” Accompanying this work is an original score by recording artist Emily Wells. The Company will premiere a new work titled The Rate We Change (2022), by Salt Lake City choreographer Kellie St. Pierre. This piece features 6 dancers and a human-powered spinning platform. The work is inspired by the effect of ongoingness within a changing world and through the sharing of roles and collective care, adaptation through connection is made possible. The Rate We Change features an original score by Salt Lake City composer Daniel Clifton. Finally, the return of guest choreographer and alumnus Company dancer jo Blake’s coincidences, when we meet up (2022) rounds out this compelling program. This reflective trio focuses on personal connection of radical self-love and clarity of voice discovered by experiencing trauma. Plunging, swirling, and diving amongst the complications of today’s social issues, this dance invites the ever-changing, coordinated, and repeated murmurs of individual growth and change. This dance is accompanied by an original score by Salt Lake City composer, Trevor Price.